







Anita Loos (April 26, 1888 – August 18, 1981) was an acclaimed American screenwriter, playwright and author.
With the advent of the talkies, she went from writing screenplays and subtitles for silent movies to screenplays with dialogue for such classics as Red-Headed Woman (1932) starring Jean Harlow; San Francisco (1936) starring Clark Gable, Jeanette MacDonald and Spencer Tracy; The Women (1939), adapted from the play by Clare Booth Luce, starring Norma Shearer, Joan Crawford and Rosalind Russell; Susan and God (1940) starring Crawford, Fredric March and Ruth Hussey; and I Married an Angel (1942) starring Jeanette MacDonald and Nelson Eddy.
On her own, Loos wrote Happy Birthday, which opened at the Broadhurst Theatre in 1946 starring Helen Hayes. She also dramatized two of the French writer Colette's novels, Gigi (1951), which opened at the Fulton Theatre starring Audrey Hepburn, and Chéri (1959), which opened at the Morosco Theatre starring Kim Stanley.
Loos is perhaps best known for her short novel Gentlemen Prefer Blondes (1925), originally serialized in Harper's Bazaar before publication in novel format. It was a satire of a "dumb blonde" showgirl from
She wrote a sequel entitled But Gentlemen Marry Brunettes (1928), which was also successful. Both of these Jazz Age classics are amusing period pieces, written as the diaries of a flapper who travels to Europe, meets everyone and returns to the


















Among his most important works were his experimental Lichtgrafiken (light graphics), which were made without a camera. Instead, each image was created by applying a combination of chemical and mechanical techniques to photographic materials, such as negative film and light-sensitive paper. Additionally, Hajek-Halke used materials such as glass shards, glue, varnish, soot, wire, and fish bones in concert with darkroom techniques such as montage and double exposure, resulting in images of bizarre and fine structures and shapes, some resembling macro- and microscopic photographs.


